How To Create 4 Easy Transitions In Premiere Pro

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“Guys jordan with motion array transitions. They re a really effective way to make your your video feel a lot more cohesive and professional and if you re watching this i m pretty sure you ve been exposed to a lot of transition packs and tutorials on how to get those awesome totally cool transitions. But today. We re gonna be showing you how to create for super simple transitions right inside of premiere pro.

These are so simple that maybe you ll start to incorporate them into your regular workflow and we re going to avoid transitions that have gotten a lot of love maybe too much love from the internet so no zoom blurs hopefully you haven t seen all of these before so let s dive right into it with number one the card whip this one you might have seen in some of our other tutorials in the past your at motion array. It s just like treating your footage like a set of stacked cards. And when you want to move on to the next one. So once you ve got your footage down on the timeline.

Place your first clip on the second layer. And your second clip on the first layer. Like a descending staircase next overlap them slightly. And on your top clip drop on the transform effect from your effects panel.

Once it s here find where you want the transition to happen and keyframe your position at the start of the transition now move to where you want the transition to finish and keyframe the position to have your footage completely off screen. You ll probably only need a few frames to make this look right make sure that at all times between these two keyframes there s a piece of footage. Overlapping underneath this top clip. Then click this drop down and activate the graph for your motion and keyframe.

It to start slow. And then ramp up to a faster speed right now it should look like this. But there s one more thing uncheck the use composition shutter angle..

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And then key in the manual shutter angle of 180. Now your motion should have some more realistic blur to it based on the movement and direction that you gave it once you ve done that just add a nice. Whooshing sound effect and the transition is complete number two the stutter. This particular transition.

Works. Really well for high energy. Intense videos anywhere from the horror genre. All the way up to concert footage to get this stutter effect is way easier than you might think all you have to do is overlap.

Your footage like we showed you in the previous example and then at the point. Where you want to make your footage start to stutter make a cut now progress forward and make cuts for every individual frame along the way now all you have to do is remove every other frame. So that there s one frame missing for every one frame present. And you re left with something more like this and if you choose a good time during your music to use this effect.

It can really amplify its impact. We re only at transition number two. But just to reminder that if you re looking for some more advanced transitions to use in your videos. We ve got an insane number of different transitions for different styles genres and use cases.

Over at motion or a calm feel free to check it out and for those of you here on youtube be sure to hit the subscribe button and click. The bell icon to never miss a future video number three the jitter this transition is less of a physical transition from one clip to the next. And more like a mental preparation instead of revealing..

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The new clip in a unique way it actually prepares your mind to be ready for the new clip to be show to pull off this transition. What you want to do is prep. Your clips the same way that we did for our last transition have an overlap at the point. Where you want the transition to start make a cut and from here.

You re gonna do the same thing by making cuts at each frame of the overlap that you want to utilize you re then gonna go through each frame and input a unique position and scale value so that they re all slightly different you ll likely want to zoom in your clips a very small amount and then when you move them slightly either in the vertical or horizontal position. They won t show a black background. Make sure that for each of your different clip. Sections.

You re keying in a different set of values. So that if you go back and forth between the previous frame and the new one you ll notice a small jitter keep doing this for all of your different clips in succession. Making. Larger changes.

If you want a more exaggerated effect and making smaller changes. If you want the effect to be more subtle from here this is what your effect should look like. But if you want to add some more flair to it you can move all of these frames. Here that you ve changed the position for and extend the original clip beneath them then decrease.

The opacity for each of these individual frames. Up here. This will give you a bit more of a ghosting type effect..

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Which depending on the style that you re going for might take this effect to the next level and finally number four the slice this final transition is a little bit more complex. But it can give you a really nice look the key here is like our other two shots. Where we have our first shot placed over top of the second one like a descending staircase. Then at the point.

Where you want to make the slice transition begin let s make the cut and duplicate this final piece here. So that it s stacked on top of itself you can easily duplicate. It by holding alt or option. And then clicking or dragging the clip up next up search for the crop effect and drag and drop.

It onto each of these two clips on the top clip set a crop amount to be 50 from the bottom by isolating this layer. We can see that what this does is leave the top half of the clip in place while removing the bottom half so let s do the opposite for the duplicate clip below for the crop effect set the top amount to 50 and this will leave the bottom half alone. So now. What you have is a clip.

Where you can t see anything is different. But it s prepared to be separated by its two halves. So now we can set a position keyframe where we want these clips to start separating and then make a second keyframe and set it to be just off screen then by using these back and forward icons for our keyframe. We can bring the playhead back to exactly the same location to make matching.

But opposite keyframes for our bottom clip. So now we have a linear separation. But i want to make it a little bit more dynamic bring up the position keyframes and drop it down here so that you get your small graph options drag down your keyframe..

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Handle here so that it starts slower and then pull it all the way out so that it ramps up in an exponential amount your goal is to make an upwards ramp like this so that it starts slow and accelerates to its fastest point. When it leaves the screen do the same thing for your bottom clip. And you have your slice transition by adding. A directional blur and keyframing it to match the motion of your clips you can make this effect feel a lot more realistic.

But with this bassline. You don t just have to use it like this you can also push them in from opposite directions or prepare. The motion with some graphical elements to make it a little bit more unique and guys. That s been four simple transitions you can pull off with no downloads or plugins right inside of premiere pro.

But like i mentioned if you want to take your transitions to the next level. We have tons of transitions for you to check out here at motion or raycom. We also have a ton of premiere pro plug in transitions that you can download at no additional cost to an existing paid motion or a membership and finally if more learning is your cup of tea. We ve also got loads of other tutorials for premiere pro and after effects feel free to check those out too.

But that s it for me. Thank you so much for watching. And i can t wait to see you in the next video you ” ..

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